The Fall of Hyperion, by Dan Simmons (1990)

Wasn’t sure what to make of it. A lot of it strayed too far into the space-fighting fantasy genre to appeal to me.

Highlights

147

From a blood-red distance, Fedmahn Kassad fought to the surface of consciousness [...]

164

For a long moment she stood in the center of the featureless plain and tried to imagine just the moon, humankind's first step in its long stagger from the cradle.

179

Silenus returned to himself in that process of allowing the world to rush in once more, much like the return to the senses following orgasm. Only the descent of the writer to the world was more painful as he or she returned, trailing clouds of glory which quickly dissipated in the mundane flow of sensory trivia.

180

A few hours and he would be finished with his life's work, ready to rest a while and appreciate the small daily things, the trivia of living which for decades now had been only an interruption of work he could not complete.

251

As she ate, she looked up at him with great, dark eyes, seemingly searching his face. Sol remembered the first few minutes he had held her while Sarai rested under warmed blankets; the baby's eyes had burned into him then with these same questions and startlement at finding such a world.

290

She has nothing to say and for once says nothing.

330

The Consul is too tired to be clever, too old to be brave.

384

'They sang,' said the Templar. 'They called across thousands of kilometers of atmosphere to each other in songs which held meaning and love and sorrow. Yet they were hunted to death like the great whales of Old Earth.'

384

'Man and his machine intelligences. Which is a parasite on the other? Neither part of the symbiote can now tell. But it is an evil thing, a work of the Anti-Nature. Worse than that, Duré, it is an evolutionary dead end.'

414

My brain receives this as din and restructures it as poetry. All day and all night the pain of the universe floods in and wanders the fevered corridors of my mind as verse, imagery, images in verse, the intricate, endless dance of language, now as calming as a flute solo, now as shrill and strident and confusing as a dozen orchestras tuning up, but always verse, always poetry.

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